![]() ![]() Each one of these cells is as complicated as a city. Your brain is built of cells called neurons and glia-hundreds of billions of them. This is the mission control center that drives the whole operation, gathering dispatches through small portals in the armored bunker of the skull. Three pounds of the most complex material we’ve discovered in the universe. A sheet of high-tech self-healing sensory material that we call skin seamlessly covers your machinery in a pleasing package.Īnd then there’s your brain. The machinery includes a sophisticated scaffolding of interlocking bones, a netting of sinewy muscles, a good deal of specialized fluid, and a collaboration of internal organs chugging away in darkness to keep you alive. ![]() Beneath your dashing good looks churns a hidden universe of networked machinery. Take a close look at yourself in the mirror. There’s Someone In My Head, But It’s Not Me ![]()
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![]() ![]() Grisly murders are rocking the small county of Bear Butte, where Julie Collins has spent the last few months learning the PI biz without the guidance of her best friend and business partner, Kevin Wells. Especially those serious enough to kill for. But the parallels end when Julie realizes some family secrets are best kept buried deep. On the surface the situation is eerily familiar. Julie finds herself drawn into the case against her better judgment, and discovers not only the ugly reality of the young girl s tragic life and brutal death, but ties to her and Kevin s past that she is increasingly reluctant to revisit. Then she learns Kevin has been hired, mysteriously, to find out where the murdered girl spent her last few days. When the body of a sixteen year old white girl is discovered in nearby Rapid Creek, Julie believes this victim will receive the attention others were denied. The one bright spot in her mundane life is the time she spends working part time as a PI with her childhood friend, Kevin Wells. Lack of public interest in finding his murderer, or the killer of several other transient Native American men, has left Julie with a bone deep cynicism she counters with tequila, cigarettes, and dangerous men. Julie Collins is stuck in a dead end secretarial job with the Bear Butte County Sheriff’s office, and still grieving over the unsolved murder of her Lakota half brother. ![]() ![]() ![]() Four sections, set at roughly 10-year intervals, from Botha to Zuma via the 1995 Rugby World Cup and Mbeki’s inauguration, are each named after a family member who will die even once you’ve twigged the significance of the section titles, Galgut steals the breath with his willingness to fell his characters so randomly. ![]() ![]() Manie’s failure to keep his word falls like a curse as we follow his children down the decades. ![]() Nor does his bigoted family, who regard Amor’s stubborn insistence that Salome should own her home as the kind of talk that “now appears to have infected the whole country”. Now that Rachel is dead, Manie has apparently forgotten and doesn’t care to be reminded. The drama of the novel turns on a promise that her Afrikaner husband, Manie, made to her before she died, overheard by their youngest daughter, Amor: that Manie would give their black maid, Salome, the deeds to the annexe she occupies. It begins in 1986, with the death of Rachel, a 40-year-old Jewish mother of three on a smallholding outside Pretoria. D amon Galgut’s stunning new novel charts the decline of a white family during South Africa’s transition out of apartheid. ![]() |